For example a dear friend of mine. Every time he drops off his work at an exhibition, he's in doubt. The reason is that every work is like a page in a book for him, they're all interconnected. Tear out a page and the story doesn't make sense anymore. Every time a work is sold he wants the address of the buyer, just in case he needs this page for a specific exhibition. This Sunday, at the opening of a show he participated in, I purchased one of his small works, but only after inquiring if it was okay with him.
|Windfall, oil on panel, 15.7" x 47.2"|
For me it's totally different. In every painting I'm trying to say more or less the same thing. I just try to say it better or from a different angle. I'm still not exactly sure what it is I'm trying to say, but I'm pretty sure it's always the same thing. And when a painting is sold, I still get a buzz. It's very rewarding, in a non-financial way, if someone spends a considerable sum to own one of your works. And the money is nice too, let's be honest. A fellow-painter said to me: "Would I paint if I wouldn't make any money with it? Yes, I would!" Same here. The money just makes it better.