Every now and then I get the chance to show my work in Belgium, one of our neighbor countries. Great people. They like (and sometimes buy) my work and that makes me very happy. But lately I'm getting the impression they got a thing with frames. More and more Belgian buyers like to purchase their paintings unframed. Gallery owners can't stress enough they have no objections if you drop off your work unframed.
I'm not sure what the reason is, but I hope it doesn't spread. The purpose of a frame is not only aesthetic, it's for protection as well. The surface of my paintings consists of very thin layers of paint that easily damage, a bit like enamel, so I want them to be properly framed.
And to be honest, I like my paintings better when they're framed. Frames are a visual buffer between the painting and it's surroundings. The picture below shows the standard frame I use for my work, a so called 'floater'. It's a simple frame that underscores the landscape format of the painting and says: "This might be a realistic painting, but it's still a work of a contemporary artist."
And here's the same painting in it's actual frame. The Edgartown Art Gallery (where it's currently on display) asked me to ship it unframed, so they could choose a frame that matches the atmosphere of the gallery as a whole. An old English kinda feel. I went for the experiment, curious as I was how my work would look in a totally different frame and I was pleasantly surprised. It looks great with the wonderful warm-cold color contrast between the frame and the painting.
If you want to take a closer look at it, please go to my website www.paintingskies.com. It's the first painting that comes up in the Portfolio section (at least for now). When you hit the 'detail' button below the picture, guess what happens...
|Rain Clouds, oil on panel, 5.9 x 19.7"|