From time to time I find new combinations to mix an okay sand color, like in this recent painting. The bottom layer is a mix of flesh color (Lukas) and a bit of yellow ochre. To tone it down in the second layer I applied a rather thinned glaze with lots of transparent white, indigo (Rembrandt) and again ochre. It's just a small part of the painting, but I like it.
|Untitled work in progress, 13.8" x 39.4|
Very often the Lukas flesh tint is the starting point of my beaches. If I need a pale, almost colorless, beach I'll add a little sepia. If I need a soft brown beach I'll add a little burnt umber and sometimes even burnt sienna, though most of the times I'll have to tone that one down with a glaze of some kind.
Shadows on a beach often have a hint of purple, be it of a cloud or a dune. Old Holland violet-grey makes an excellent shadow color in a mix with transparent white, flesh tint and maybe a little ochre. Works just great when you glaze it on top of an existing beach.
Anyone with new recipes? Let me know!
Great observation!...it took me a while to understand how to handle sand in different time of year or day . i was follow up advice of Janhendrik -keep painting ,mixing ,start over,and get over it-overall would be just fine if you are an artist,TY JHD!ArthueZ from FloridaReplyDelete
You're welcome Arthur. Glad to be of help.ReplyDelete